There’s Pansies, that’s for Thoughts
A massive hurdle in being a performer of Shakespeare is preconceptions.
Yours and others.
These plays, and roles, and even you as a performer are all preexisting when you walk into the process on day one. The easiest thing to do is pull those preconceptions out of the box, say the words in order and go home.
I don't get paid enough for that. The compensation comes in making something for me or the audience that I haven't tried before or that I haven't seen before.
So the most important thing to do before running headlong into these hurdles is to get down to actual facts.
I Believe I have Developed Another Theory
I believe that the best performances come from measured and calibrated dynamics.Playing each scene at a energy/intensity of 10 and then at a 1, setting the possibilities, and then the team makes the decision for where one plays the final product from there.Or in a show like the Collyer Brothers - what Langley's arc looks like.
Tis a Gentle Man Here
Hey Christina. Hey Kate.
I’ve been conversing with the two of you in my head for a couple of weeks. Turns out I did a show. Turns out neither of you showed up to boss me around, so I had to wing it.